...A composition by a MADMAN!!!! Or maybe the Borscht went bad in his tummy...
https://youtu.be/m8Y5x1N_aIgOur Conductor selected this work a few times, and I really enjoyed it. It starts out very serene. I envision a quiet, green hillside, and a boy is watching over the sheep and goats, and he plays a tune on his flute. A horn answers him, and they play a gentle duet. Then, he goes into the Village where they are preparing to have a feast. The villagers drink as they are preparing, and, well...things happen. There is a wild dance at the end of the work, and it is a BLAST to perform. The cello part wasn't very difficult, we were mostly doing the beats, but the violins go insane...they are supposed to be expressing gypsies who have partaken a bit too much of the potables.
Also, the Conductor, Celibidache, is interesting to watch. Do notice that he just doesn't wave the stick...in fact...often he isn't 'conducting' at all. He is urging the players to perform as they rehearsed, and is using body movements and facial expressions to do so. At Conservatory, we loved to watch films of him
Speaking of Conductors, it is AMAZING that they live to an old age. Often, every musician in the Orchestra has harbored thoughts of 'taking care' of the Conductor, it is an interesting relationship. Although, even as Section Leader, I got along well with the Conductor of the Semiprofessional Orchestra I played in. He even took me with him, and a couple other people, to Vancouver in his private two engine plane, and we stayed in his little house on the beach. We caught, dug, and ate fish, crabs, clams, mussels and other nice stuff. I told my H what we did, he didn't go along, but I left out the fact that we swam and sunbathed naked.

Once I got over my modesty, (two beers helped that

) it was fun. I even smiled and waved at the people who drove by in speedboats. Maybe it was just being in Canada, and being around Canadians. I hear that they aren't as uptight as we in the USA.
That Conductor wasn't very precise in his conducting, and waved his arms around a lot and almost danced on the podium. When I first became the leader of the cello section, I was having a HELL of a time bringing my section in the opening of a work. Watching him closely, I COULDN'T FIGURE OUT WHEN THE DOWNBEAT ENDED!!! Usually, at the start of a piece, the Conductor will bring the stick down just a few inches, and when he stops, you start. This guy would bring his hand above his head, and then pull it down to his knees...

I couldn't figure out in that time when we were supposed to start. I spoke to the Principal Violist, she was also his wife, and she said to just watch the Concert Mistress...(The first chair violinist)...and start when she did. I did, as did the other Principals, so we all started at the same time.